I adore this branding and interior design by Biasol in Austrailia for Kitty Burns based on a historic story. The concept of Kitty Burns is a tale of two sisters in Australia. The playful character and rich history of the Skipping Girl, nicknamed “Little Audrey” and also known as the “Vinegar Girl” create the concept and title of Kitty Burns. The original Skipping Girl was modeled on 5 year old Kitty Minogue in 1915 when her brother sketched her in a winning competition entry for the vinegar company. An updated version of the skipping girl was recreated a short time later where in fact the elder sister of Kitty Minogue, Alma Burns was used to create the current Skipping Girl seen today.

Kitty Burns was born out of tying their two names together to create a fictional character – reminiscent of the rich history of the area that reflects the serene, quiet yet playful nook where the spirited sisters liked to skip. Kitty Burns is conveyed as a home away from home for the residents of an apartment complex. A pitched roof design was introduced and incorporated into all elements of the project. The home concept was also carried through into the brand identity inspired by The Skipping Girl story creating a dual personality for the brand. The contrasting elements of the Kitty Burns personality are creatively woven into every design element- Kitty’s fun loving, playful personality, juxtaposed with Burns’ more serious and structured side.
The legacy of the two little girls that loved to skip can now be remembered through the name Kitty Burns.















Taking it’s name from a crime novel, Indigo Slam transforms a former Simona warehouse site in Chippendale into an inspiring residence for Australia’s most prominent art collector and philanthropist, Judith Neilson. The Client’s brief called for something extraordinary – a piece of sculpture to be lived in. The team established a unique language of cutting, folding and stitching together for designing the building skin – something once flat becomes three dimensional and something once blank creates and enfolds space. This language is carried throughout each aspect of the design – from the concrete facades, to how the marble in the kitchen is sculpted and shaped, light switch or tap installed, to the planes and curves of the vaulted ceilings. The sculpted concrete facades of Indigo Slam are alive to the changes brought by light, shade, sun and cloud, providing the new urban park across the road with a lively backdrop to public life. The serene living spaces and monumental halls within create a dynamic spatial interplay of spare interiors in which the main decorative element is light.








































