Beautiful Art Exhibits

Cool Events taking place around the world.

Tatsuo Mayajima’s “Connect with Everything” installation at the Museum of Contemporary Art, Australia

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Few contemporary artists grapple with what it means to be human as profoundly as Japanese-born Tatsuo Miyajima, whose signature works are high-tech, immersive light installations that border on the mystical. “Tatsuo Miyajima―Connect with Everything,” the artist’s first solo show in the Southern Hemisphere, is on view at Sydney’s Museum of Contemporary Art, and is as comprehensive a retrospective as the works deserve.

Museum of Contemporary Art, 140 George St, The Rocks NSW 2000, Sydney, Australia; mca.com.au/miyajima. Through March 5.  

A Robert Rauschenberg Retrospective at the Tate Modern Switch House, London

Your excuse for a visit across the pond to inaugurate the Switch House – the Tate Modern’s new brick pyramid-tower extension designed by the same Swiss firm, Herzog & de Meuron, that transformed the massive Bankside Power Station into the enormously popular hub of modern and contemporary art – has arrived in the form of the first major retrospective of Robert Rauschenberg since the American artist’s death in 2008.

Organized chronologically and in collaboration with New York’s MoMA, where it heads next spring, the show unfolds as a riveting narrative, journeying through the maverick’s many seminal creative moments, from his striking blue monoprints and his extraordinary Combines.

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Tate Modern, Bankside, London; tate.org.uk/whats-on/tate-modern/exhibition/robert-rauschenberg. Through April 2.

Cy Twombly’s Retrospective at the Centre Pompidou, Paris

Cy Twombly, an artist who was born in Lexington, Virginia in 1928 and moved to Italy in the 1950s, is in many ways very French. In the Salle des Bronzes Antiques at the Louvre museum in Paris, where ancient Greek armour waits silently for wars that will never come again, the room’s vast ceilingis painted by Twombly with a bright expanse of blue, its intensity illuminated by silver and gold suns and moons as if the light of the Mediterranean were infusing the museum with desire and danger. So it is fitting that France is staging the first Cy Twomblyretrospective since his death. On the top floor of the Centre Pompidou, the helmeted Greek heroes have returned. Gore, love and revenge stain the walls.

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Centre Pompidou, Place Georges-Pompidou, Paris; centrepompidou.fr/en. Through April 24.

R.H. Quaytman’s “Morning: Chapter 30″ exhibit at the Museum of Contemporary Art, Los Angeles

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MOCA presents R. H. Quaytman, Morning: Chapter 30, the first major museum survey of work by New York–based artist R. H. Quaytman. The poetic, hypnotic, and singular work of R.H. Quaytman is on display in full splendor at “R.H. Quaytman, Morning: Chapter 30” at the Museum of Contemporary Art in Los Angeles, the first major museum survey of the NYC-based artist. Made up of 22 gesso-and-silkscreen paintings, the series “30 Chapters” is, like the 29 “chapters” that preceded it, a site-specific project that in this case takes inspiration from another site-specific work, Michael Heizer’s earthwork Double Negative, an excavation on the eastern side of Mormon Mesa in southern Nevada that resulted in two massive trenches. Museum of Contemporary Art, 250 South Grand Ave, Los Angeles; moca.org/exhibition/r-h-quaytman-morning. Through February 6. 

The Opening of the Sumida Hokusai Museum, Tokyo

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Despite the rich history of art in Japan, it is ukiyo-e (“pictures of the floating world”) — woodblock prints from the 18th and 19th centuries depicting everything from kimono-clad courtesans and kabuki actors to animals, plants, and dramatic, often romantic landscapes — that first comes to mind when one thinks of Japanese art, and that has had the most lasting influence on artists of every nationality (including 19th-century masters James Whistler, Edgar Degas and Mary Cassatt, among others).

Now there’s a museum devoted entirely to the country’s best-known practitioner, Katsushika Hokusai (1760-1849), whose formal, masterfully composed works have, alongside those of rival Hiroshige (1797-1858), come to define the genre. Designed by Pritzker Prize–winning architect Kazuyo Sejima, the angular Sumida Hokusai Museum just opened in Tokyo’s Sumida Ward, where the legendary master lived and produced the bulk of his work in the mid 19th century. Don’t miss Great Wave off Kanazawa from his seminal “36 Views of Mt. Fuji” series.

Sumida Hokusai Museum, 2-7-2 Kamezawa, Sumida-ku, Tokyo; hokusai-museum.jp

Louise Bourgeois’s “Structures of Existence: The Cells” at the Louisiana Museum of Modern Art, Copenhagen

Louisiana’s big autumn exhibition Louise Bourgeois. Structures of Existence: The Cells, presents one of the most striking and influential visual artists of the twentieth century. Over a period of some 70 years Louise Bourgeois (1911, Paris – 2010, New York) created a comprehensive oeuvre spanning a wide range of materials and forms, emotions and moods.

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Beautiful Branding+Design

I adore this branding and interior design by Biasol in Austrailia for Kitty Burns based on a historic story. The concept of Kitty Burns is a tale of two sisters in Australia. The playful character and rich history of the Skipping Girl, nicknamed “Little Audrey” and also known as the “Vinegar Girl” create the concept and title of Kitty Burns. The original Skipping Girl was modeled on 5 year old Kitty Minogue in 1915 when her brother sketched her in a winning competition entry for the vinegar company. An updated version of the skipping girl was recreated a short time later where in fact the elder sister of Kitty Minogue, Alma Burns was used to create the current Skipping Girl seen today.

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Kitty Burns was born out of tying their two names together to create a fictional character – reminiscent of the rich history of the area that reflects the serene, quiet yet playful nook where the spirited sisters liked to skip. Kitty Burns is conveyed as a home away from home for the residents of an apartment complex. A pitched roof design was introduced and incorporated into all elements of the project. The home concept was also carried through into the brand identity inspired by The Skipping Girl story creating a dual personality for the brand. The contrasting elements of the Kitty Burns personality are creatively woven into every design element- Kitty’s fun loving, playful personality, juxtaposed with Burns’ more serious and structured side.

KITTY-BURNS-01-OF-10.jpg KITTY-BURNS-02-OF-10.jpg KITTY-BURNS-04-OF-10.jpg KITTY-BURNS-05-OF-10.jpg KITTY-BURNS-06-OF-10.jpg KITTY-BURNS-07-OF-10.jpg KITTY-BURNS-08-OF-10.jpg KITTY-BURNS-09-OF-10.jpg kitty-burns-10-of-10The legacy of the two little girls that loved to skip can now be remembered through the name Kitty Burns.

Beautiful Interior Architecture

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Indigo Slam, designed by Smart Studio, was completed earlier this year and observing this extraordinary sculptural concrete building from the outside is evidence enough that something very special lies within. There are simply no words to describe the impact of this extraordinary house. There is a distinct calming sense that happens here as if entering a luxury spa, whereby you are instantly transported into a different world. The space compresses as a low and narrow corridor, before suddenly opening into a spectacular stair hall. Let’s just say it’s epicness of the central void – the soaring ceiling, the majestic staircase, the sheer scale of… well, everything really, balanced so beautifully with a highly restrained approach to materials and detailing with a monastic quality.

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Indigo-Slam-Smart-Design-Studio-Yellowtrace-06 Indigo-Slam-Smart-Design-Studio-Yellowtrace-07 Indigo-Slam-Smart-Design-Studio-Yellowtrace-08 Indigo-Slam-Smart-Design-Studio-Yellowtrace-09 Indigo-Slam-Smart-Design-Studio-Yellowtrace-10 Taking it’s name from a crime novel, Indigo Slam transforms a former Simona warehouse site in Chippendale into an inspiring residence for Australia’s most prominent art collector and philanthropist, Judith Neilson. The Client’s brief called for something extraordinary – a piece of sculpture to be lived in. The team established a unique language of cutting, folding and stitching together for designing the building skin – something once flat becomes three dimensional and something once blank creates and enfolds space. This language is carried throughout each aspect of the design – from the concrete facades, to how the marble in the kitchen is sculpted and shaped, light switch or tap installed, to the planes and curves of the vaulted ceilings. The sculpted concrete facades of Indigo Slam are alive to the changes brought by light, shade, sun and cloud, providing the new urban park across the road with a lively backdrop to public life. The serene living spaces and monumental halls within create a dynamic spatial interplay of spare interiors in which the main decorative element is light.

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The brief was for Indigo Slam to last 100 years. Materials are selected to wear and endure, with each fitting designed or selected to continue the language of overall design concept, occasionally adding a small element of surprise to the finely grained interior.

P.S. If you are so inclined, you can read a fantastic article titled ‘Designed From The Inside Out’: a conversation between William Smart and Heidi Dokulil, giving further insight into this fascinating project.

Images and drawings courtesy of Smart Design Studio and INSIDE World Festival of Interiors 2016. Photography by Sharrin Rees

Source: http://www.yellowtrace.com.au/indigo-slam-smart-design-studio/