Beautiful Kitchen Design

With roots in Scandinavian design, Nordiska Kök designs beautiful minimalist kitchens to live in, unique and tailor-made to suit your life, today and tomorrow. Creators of tailor-made kitchens, the company offers unique solutions to suit different lifestyles. Built with longevity in mind, the kitchens are not only designed to last, they also leave the lightest possible footprint on world resources. I am immediately drawn to its warm inviting palette, mix of natural materials and interesting textures. Nordiska Kök crated this beautiful, classic Shaker kitchen with a Scandinavian touch, it fits like a dream inside of the century apartment,  located in the popular Copenhagen district of Frederiksberg.
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The spacious kitchen reflects the quality craftsmanship and clean lines that is synonymous with the Shaker movement. Together with the apartment’s preserved detailing, including the flooring and ceiling stucco, the overall look is truly timeless. Soft grey tones and beautiful Emperador marble counter tops compliment the warm wood flooring, while luxurious handles by The Brandt provide a contemporary edge.
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3Staying true to the minimalist aesthetic of the space, the decision not to cover the entire wall with cupboards is also in keeping with the style of Shaker kitchens. The kitchen demonstrates beautiful attention to detail, as can be seen inside the cabinets and drawers, which feature a warm white pigmented oak.
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The kitchen island not only grounds the space and makes the room dynamic, it adds functionality and plenty of storage. As the heart of the kitchen, it also provides the perfect place for friends and family to gather.
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Styling by Marie Graunbøl / Photography by Andrea Papini
Images Nordiska Kök

Beautiful Infinite Blue Hotel – Sorrento, Italy

Being in a state of quarantine, my planned excursion to Italy had to be put on hold. Actually, as everything has a way of turning out alright, I’m ok with that because it gives me more time peruse wonderful stories about Italy that I previously never seemed to find time for. I’m discovering some of the hidden treasures that I’ll take with me…some this September. And if September shall come and go and still I cannot fly to Europe? Well then, I shall peruse even deeper until the time comes when I can. Below is a story from Cereal magazine for all to peruse and enjoy.

“I STAND ON A BALCONY WITH TILES LAID IN DIAGONAL STRIPES, LOOKING OUT INTO THAT INFINITE BLUE UNTIL I AM SUSPENDED IN IT.”
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White concrete frames a square of uninterrupted blue. The cloudless sky, the iridescent Tyrrhenian sea, even the land stretching out either side — pastel-painted Sorrento to the left, Vesuvius to the right — is cast in a haze of blue. An impressionist’s dream.
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swooning over this blue tile

The concept of infinite blue was architect Gio Ponti’s driving inspiration when he built Parco dei Principi, his slice of 1960s modernism on a coast of faded antiquity. When it opened in 1962, the hotel was something new for ancient Sorrento: a clean-lined, contemporary edifice on the tufa-stone cliff. Inside, the bright, wide-open spaces were pared down and decorated entirely in white and blue.
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Ponti was commissioned to build Parco dei Principi when his friend and colleague, the Neapolitan engineer and hotelier Roberto Fernandes, bought the neighboring property, the ballet-shoe-pink 18th century Villa Cortchacow. The villa was originally owned by the Count of Syracuse and then by a Russian prince, who had a mock Gothic castle half-built in the grounds lest his cousin, the last tsar of Russia, should come to stay. Ponti’s challenge was to transform this — perhaps thankfully — unfinished castle.
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Gio Ponti was one of the most pioneering architects of the mid-century, with an extraordinary portfolio of buildings that championed forward-looking principles. He was driven by the ideas of transparency and lightness. His diamond-shaped Pirelli tower in Milan soars; his ethereal Taranto Cathedral in Puglia, delicate as a paper cut-out, is known as ‘the Sail’. “He loved to create little spaces of lightness, through elements in the design,” says Caterina Licitra Ponti, his great-granddaughter, a passion for her great-grandfather’s work alive in her eyes.
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And so in Sorrento, as in Taranto, he uplifted the castle’s solid stone walls so that the new building seemed to hover above the clifftop, wrapping the interior in a white concrete skin, perforated with spaces that allow the light and the sky to penetrate the framework. On approach, through verdant subtropical gardens, the blue of the sea is visible all the way through the glass-walled ground floor.
gio-ponti-hotel-parco-dei-principiOf all Gio Ponti’s 100-odd buildings, Sorrento is the only hotel where you can still stay, fully immersed in his art — for as well as the building itself he designed every last detail. He was not just an architect, but a designer — of interiors, furniture, industry, cars — an artist and a ceramicist, a writer and a teacher; and at Parco dei Principi his passion for so many disciplines converged in one triumphant paean to modernity.

Work was his passion. Every moment was one in which to create. Her grandmother, Lisa — Ponti’s daughter — recalls him waking each morning at 6.00 am. He used to have coffee in bed while he sketched and wrote letters on a tray of his own design — daily correspondence to friends and colleagues about every devilishly intricate detail of his projects, right down to the tablecloths and tiles.
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In the lobby, blue and white glazed pebbles are set into the walls, their cool, shiny-smooth surfaces reflecting infinite depths of radiance, chosen, Ponti wrote, for their ‘lightness and grace’, their ‘reflexes of light and sky’. Down in the hotel’s subterranean levels, where there is nobody else about, I put my cheek to the cool of them. It is clear Ponti created this place not just to look at but to touch, too, so that his work would engage and bring delight.
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On the bright upper floors, the hotel’s bedrooms are stripped back to the bare essentials, each element designed by Ponti in mid-century modern style and made in Italy: a bed, a chair, a footstool which doubles as a suitcase stand, and a dressing table facing the sea, where I sit and write this story on its smooth Formica top the color of the sky.
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Shaded from direct sunshine by the building’s perforated sheath, the room is cooled naturally by the shades of blue and white, and by the ceramic tiles underfoot. Of all Parco dei Principi’s carefully curated details, these ceramic tiles are perhaps the most enduring. Ponti made 30 different designs, all in the dark blue, pale blue, and white of the local seascape — some geometric, some figurative, featuring moons, stars and leaves. They are configured differently in each of the hotel’s 96 rooms.

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“I always think of the endless possibilities of the art,” Ponti observed, of creating these tiles. “Give someone a square measuring 20 by 20 and although people have been turning them out for centuries, there’s always room for a new pattern… There will never be a last design.” Here again, the concept of infinite blue. His dream was to make a permanent mark — infinite, like the blue of the sea and the sky.VFMLID=1074137304212f566e64500cfc882084ebdd0bb1c
I stand on a balcony with tiles laid in diagonal stripes, looking out into that infinite blue until I am suspended in it. Below me, a sailing boat cuts across the bay, its wake drawing a straight white line through the water. Above me, a gull hangs steadily for a moment, then soars away into the sky. Borne on the wind, light as air. Gio Ponti is everywhere.
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Parco de principiGio Pontioktober 1997

Cereal magazine

Beautiful Italy

With Italy on my mind, I’d like to feature a gorgeous interior because well, we need a little more beauty in our lives. Presenting Vincenzo De Cotiis villa, Pietrasanta – Tuscany, Italy
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I love the idea of Old is New Again. I also believe that when we experience global disasters such as the current pandemic, we learn to appreciate history even more – especially Italy.

When we are forced to look at humanity from a wider perspective, we see the beauty of the human endeavor. The work and effort, the talent and skill, the appreciation of beauty, and the value of cooperation. Saving what is valuable and beautiful to us  becomes even more important than before.
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Milan-based Vincenzo De Cotiis renovated this beautiful villa for himself and his wife and business partner.
3He has overhauled the 5,500-square-foot (510-square-metre) early 18th-century villa in Pietrasanta by the sea in Tuscany, in a grandiose but understated, elegantly distressed minimalist style that is often evident in his palazzo renovations.

4This particular palazzo was built by a local painter, Antonio Digerini, who died in 1889, but it has served many purposes over the centuries including being a cloister and a hotel.

I love the exposed patina of the walls and ceiling beams, the minimalist emptiness of the rooms and the lack of unnecessary objects. The color palette is also beautifully muted with soft hints of cold greens and warmer brick-tones.

5In several spaces, the texture and tone of the patina of the original walls and ceilings is replicated in dyed, gessoed and sanded Belgian linen used for parts of the walls and ceilings. Most of the marble is local as the area is famous for its marble quarries.

6Many of the furnishings and art are of De Cotiis’s own creation and design and although their vibe is futuristic and even slightly brutalist, they fit seamlessly with the villa’s cold-cool ambiance. The balance exudes a sense of calm but in an eerily powerful way. It isn’t cozy or comfortable overall, yet it is inviting and interesting for those of us who love his style.

7De Cotiis doesn’t promise to create an environment in a style any client might want. But you can’t help but respect his boldness.

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Learn more here

Beautiful Apartment Renovation in Milan

All’Arco by Tommaso Giunchi + Atelierzero
All’Arco is a minimal 19th-century apartment located in Milan, Italy, designed by Atelierzero + Tommaso Giunchi. The main goal was the creation of an apartment in which a contemporary approach could fit within the unique soul of the original space. The internal distribution has undergone some changes to meet the needs of the new tenants, a couple with two children, who often love to host friends and family at home. The dining room and the living room, initially divided by an internal wall, have been united, creating a single vast space, defined by calm green light color.
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The prominent feature of the apartment is its long hallway, a large distribution space that connects the living and sleeping areas, creating fascinating perspectives throughout the space. Here, the original and diverse floors have been removed and replaced with a continuous surface of contemporary cement tiles, which, referring to the traditional Milanese ones, give a touch of contemporaneity thanks to their geometric design. The main bathroom has undergone the most important renovation, combining travertine details with Moroccan design tiles, which juxtapose the flooring of the corridor.
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The existing most defining design elements, such as wooden doors and their decorative details, classic stucco ceilings, and elegant wooden floors, have been maintained, offering a counterpart to the contemporary materials, finishes, and colors of the project. Besides allowing a sense of continuity to the renovation process, this also provides contrast with the juxtaposed new elements.
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Love this door!

Photography by Simone Furiosi

Beautiful Apartment

This beautiful Stockholm apartment, recently featured in Residence magazine, has stunning interiors. The owner, Emma Blomquist, has renovated the turn of the century apartment to enhance the original architecture, in keeping with her love of quiet colors in earthy tones.

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In the kitchen, the Three-Arm Ceiling Lamp by Serge Mouille hangs above a kitchen island in Carrara marble.

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Photography by Elisabeth Daly 

A dream apartment, wouldn’t you agree?

Images via wrede.se

Beautiful Farmhouse

Recently I came across a stunning home that stopped me in my tracks. By Yoanna Kulas, this beautiful Farm style home is located near the shores of Lake Michigan. Below is the imagery of this beautiful home, along with a bit of background about the project.

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Completed in May last year, this is the second home that Yoanna has built with her husband. Wanting to downsize from their previous home – a large French provincial home on three acres of land – and move closer to the city, nearer the beautiful Lake Michigan in Winnetka, they found just the right property. Surrounded by beautiful trees, she immediately had a vision for the new home.

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Wanting to live a much simpler life and create a lovely environment for her family, Yoanna is both fascinated and inspired by Belgian style architecture and interiors, and also very much influenced by Scandinavian design. The style is simple, feminine and minimalistic, keeping the color palette neutral, mixing different textures and bringing light inside by choosing the right windows. The interiors are surrounded by beautiful things without clutter and unnecessary objects.

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Taking two years to complete, Yoanna worked with architect Michael Abraham of Michael Abraham Architecture and Mick De Giulio of De Giulio Design for the kitchen and master bath. She carried out all the other interior (and landscape design) herself, carefully choosing every element including wide plank European White Oak flooring, White Carrara honed marble countertops and custom wood cabinetry. The same approach was applied to the furniture, lighting and accessories. The master bedroom and kitchen lighting is by Belgium brand Delta Light, and the dining room table and benches and kitchen counter stools are by Antwerp-based AM Designs. The living room features Togo sofas and chairs by Ligne Roset, lamps by Flos and hand made hemp rugs from Turkey.

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Large-scale art works that feature throughout the home are by Wesley Kimler and Marc Chagall, and the beautiful kitchen china is by Belgium designer Piet Boon. Wanting to create the master bedroom and bathroom as a calming place to relax and unwind, Yoanna chose Gervasoni Ghost furniture by Paola Navone and a beautiful freestanding bath. The gorgeous powder room accessories are by London-based designer Malgorzata Bany, whose work I introduced you to here.

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Function and livability were hugely important when it came to the design of the home. The incredible indoor-outdoor flow is defined by huge steel and glass doors that open up to a covered barbecue area, where natural timber furniture creates a seamless connection with the interior. The landscape design beautifully compliments the exterior of the home, a mix of white stucco and cedar wood, while the custom front door, hand made in Poland, creates quite an impact.

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First published http://www.thedesignchaser.com
Photos are by Belen Aquino 

Beautiful Interiors

Little Venice Residence by Originate + GL Studio is exquisite. Formerly two adjoining townhouses, this stunning mid-19th century property in West London was completely restored by Originate Architects and GL Studio. Now a Victorian stucco-fronted villa, the original features were reinstated and married with contemporary elements to fulfill the needs of modern family. The details are gorgeous!

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The restoration process included the installation of new fireplaces and arched openings in keeping with the historical period. New joinery units were designed by Originate using a unique finish to enhance the natural grain of the timber, while a fairly neutral colour palette was chosen to complement the client’s extensive collection art and furniture collection. In particular, a love of mid-century design that can bee seen with the iconic Pierre Jeanneret chairs, a beautiful Jorge Zalszupin table, and the Carl Hansen & Søn’s reissue of the Hans J Wegner CH22 lounge chair from 1950.

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Images via Orginate and GL Studio