Beautiful Lithography Stones

n 2011, while the REI store in the Puck Building in Manhattan’s SoHo
district was undergoing renovation, workers made an unexpected
discovery. Hidden behind one of the walls of the cellar were more
than 100 lithography stones from the building’s days as a printer.
They are now on display on the store’s lower floor.

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The historic building got its name from the magazine Puck, the first
wide-reaching humor publication in the United States, which was
founded in 1871 and moved to lower Manhattan in 1887. It shared
the space, in a mutually beneficial relationship, with its printer,
J. Ottman Lithographic Company. Their shared headquarters was
he largest building in the printing district at the time.

J. Ottman Lithographic Company printed many things beyond the
Puck magazines, including theatrical posters and board games.
Among the works now hanging on the REI wall are a high school
diploma, a certificate of election, and a mortgage bond. Some of
the litho stones are in rougher shape than others.

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Most of the writing and images on the stones is “backwards,”
standard practice so that the final print is the reverse of
what is seen on the plate or stone. Some, though, were
prepared for offset printing, which involves an additional
step between the plate and the final product. The inked image,
prepared “forwards,” or as it would be seen in the final
product, is first transferred to a rubber blanket, reversing
the image once, and then to the final surface, setting it right.

Puck continued to operate out of the Puck Building until 1918,
when it ceased publication. It was known for beautiful, full-color
lithographs and sharp political satire. Statues of the magazine’s
mascot, Puck, decorate the outside of the building.
J. Ottman Lithographic Company shuttered around the same time.
Other printing companies, and even another satirical magazine,
have called the building home since the original tenants left.

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During REI’s renovation, a deliberate effort was made
to repurpose materials from the original building.
Fixtures from the steam engine that powered the
presses are on permanent display, including two
flywheels and the governor. Nineteenth century
I. P. Frink chandeliers, newly fitted with LED lights,
help light the main floor.

 

Source: Atlas Obscura

Beautiful Sculpture

Johnson Tsang’s Coffee Kiss pieces made me laugh.
Yuanyang, a mixture of three parts coffee and seven
parts Hong Kong-style milk tea, perfectly represents
Eastern and Western cultures. The sculptures, which
always feature two people sharing a momentary kiss,
are meticulously made from ceramics and stainless
steel and have been created in a wide variety of
colors, shapes, and sizes.
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Beautiful Googie Architecture

In 1953, Seattle artist Lewis Nasmyth was hired to “rustle up” a design
for a western-style gas station in Georgetown. Featuring a 44-ft. wide
cowboy hat and 22-ft. high boots, the Hat n’ Boots opened the next year
to a stampede of customers. In fact, for a time it was the biggest selling
station in the state. Legend has it even Elvis dropped by when he was in
town during the World’s Fair in ’62. But in the early 60’s, a new interstate
I-5 started diverting traffic away from the station. By the late 80’s it
pretty much looked like trail’s end for the Hat n’ Boots. That’s when some
Georgetown residents saddled up to rescue the soul of their community
established a permanent home for them in Oxbow Park.

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Beautiful Illustrations

These illustrations by Jaco Haasbroek 
made me chuckle. Very clever play
on words and phrases. Amusing.
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The Violent Violet Violin 

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To the Rescue

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M
usical Chairs

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W
here Two oceans Meet as One

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Coughin’

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Adventure Seeker