Beautiful Pink House

4-Laurinda-Spear-Bernardo-Fort-Brescia-Arquitectonica-The-Pink-House-Miami-Shores-1976-79-Photography-by-Eric-Meola

The Pink House, otherwise known as The Spear House, is one of the best known and most photographed residences in Miami, Florida. It is a quintessential symbol of modernism and sits at the edge of Biscayne Bay in the older Miami suburb of Miami Shores, is intended as an urban house within a suburban context. Rigorously conceived as a study in different planes, the house is painted give shades of pink, ranging from deep near-red to pale pink, which heighten the illusionistic perspective of the house and define the series of planes. Pink was chosen because it seemed to be the most tropical of all colors and at the time was rarely used. Many factors make the house interesting bit its controversy has all the intrigue. designed by Laurinda Spear and Bernardo Fort-Bescia of Arquitectonica for Spears’ parents in 1976, it’s a series of planes and framed views designed to maximize East/West breezes.

The Pink House, Miami Shores, Florida, 7800

Although the house was initially conceived as an object standing on its own, the west façade, facing the city, is scaled down; its dimensions diminish to relate to other houses on the street in an almost mathematical cadence. The east façade, designed for long-distance viewing from Miami Beach and the bay, is scaled so that it looms large. The approach is through a tropical grove — almost a tunnel– which opens to a geometric landscape with palm trees spaced regularly in a carpet of pavers.

pink jhouse ext 3.jpg

The house has a precise sequence: the façade, the courtyard, and then the rooms, each framing a different view of the bay. The house encloses a swimming pool, which, along with the living areas, is the piano, one level above ground. The house in narrow — only 18 feet wide — to capture the bay breezes and daylight as well. The Spear House is more rigorously mathematical than Arquitectonica’s later work, yet in many ways it is seminal, establishing a number of paths of inquiry that the firm has pursued consistently, including color and cadence.

The Pink House, Miami Shores, Florida, 7800

Its color statement received a lot of attention in the late 1970s when it was built.
Neighbors were disturbed by the 5 shades of pink, which were chosen to reflect
the tropical climate and were rarely used at the time. Ultimately a grove of trees
were planted to shield the house from the street.

The Pink House, Miami Shores, Florida, 7800

pink house porthole large

pink house pool

pink house pool2

PinkHouse_MiamiShores5

PinkHouse_MiamiShores1

early-collage-study-pink-house-copy
Original sketch

rendering 1

rendering 2

Beautiful Shades of Red in Architecture

Projects to Fall in Love With on Valentine’s Day

10_MONTPELLIER.jpg 02_montpellier_c 08_MONTPELLIER_D.jpg

 ‘André Malraux’ Schools in Montpellier / Dominique Coulon & associés

RIDGING-TEAHOUSE.jpg BRIDGING-TEAHOUSE.jpg bridging-teahouse_

Bridging Teahouse / FR-EE / Fernando Romero Enterprise

LightPathAKL_5.jpg LightPathAKL___2.jpg LightPathAKL.jpg

LightPathAKL / Monk Mackenzie Architects + Landlab

PORTADA_Studio_Libeskind_Vanke_Pavilion_Expo_2015_(c)Hufton_Crow-12.jpg studio_libeskind_vanke_pavilion_expo_2015_chufton_crow-01 Studio_Libeskind_Vanke_Pavilion_Expo_2015_(c)Hufton_Crow-26.jpg

Vanke Pavilion – Milan Expo 2015 / Daniel Libeskind

17424591259_846488dd30_k_(1).jpg luis.jpg

luis 2.jpg
Cuadra San Cristobal / Luis Barragán

pink stair.jpg

BBVA Bancomer Tower / LEGORRETA + LEGORRETA + Rogers Stirk Harbour + Partners

facade_windows.jpg facade_detail1.jpg

Red Wall / 3Gatti Architecture Studio

red.jpg red 2.jpg red3

Instant Red / Wutopia Lab

151010_MVRDV_The_Couch.jpg 151001_MVRDV_The_Couch.jpg 150806_II_MVRDV_The_Couch.jpg

Couch / MVRDV

BOF_CALPE_4.jpg bof_calpe BOF_CALP.jpg

La Muralla Roja / Ricardo Bofill

NESTLE_CHOCOLATE_MUSEUM_.jpg paul-rivera-archphotocom.jpg paul-rivera-archphotocom-6

 Nestlé Chocolate Museum / Rojkind Arquitectos

Ragnarock_.jpg

Museum of Rock / MVRDV + COBE
passerelle09-rgb.jpg
Red Ribbon Park / Turenscape
Read more these project here

 

 

Beautiful Bungalow

This beautiful Bungalow house designed by architect
Athelstan Whaley as a part Edgcumbe Park resort was
for years owned by a David Weston & Scott Mycock
and used as a home and studio.  The house has been
nicely renovated and its design is spot on – classical
modernist posters, iconic mid century modern furniture
like Eames Lounge chair, Noguchi Butterfly stool,
Jacobsen Egg chair  and many others are present.
Interesting fact is that it was also used as a location
for the 1966 film Fahrenheit 451.
1960 bungalow 5-Heathermount-Drive-front-aspect bungalow 1 bungalow ding bungalow living bungalow office

Beautiful Architect

The Invisible Architect of Invisible Architecture

At the height of his popularity, R. Buckminster Fuller,
the visionary inventor best known as the father of the
geodesic dome, was on a mission. Fuller repeatedly
referred to his great friend, the architect Knud Lonberg-Holm
—a “really great architect of the Nysky (New York skyscraper)
age”—whom Fuller said “has been completely unrecognized
and unsung,” and whose “scientific foresight and design
competence are largely responsible for the present world
around the state of advancement of the building arts.”
KLH_up_PR_MB2
Knud Lonberg-Holm (1895-1972),
an overlooked but highly influential
Modernist architect, photographer,
and pioneer of information design,
is the subject of an exhibition at the
Ubu Gallery in New York City,
through August 1, 2014.

I stumbled upon a fascinating article about
the architect Lonberg-Holm. He is one of the
most overlooked yet influential architects
of the 20th century.  Knud Lonberg-Holm
told Buckminster Fuller that “the really great
architect will be the architect who produces
the invisible house where you don’t see roofs
or walls,” Fuller explained in House & Garden.
“I’ve thought about this, thought about  it a lot,
the ultimately invisible house—doing more with
less and finally coming to nothingness.”
Lonberg-Holm’s modernity and exquisite
techniques were well ahead of his time.

Read the fascinating article here.

1(86)

Chicago Tribune Tower
This design of a side elevation for the 1922 Chicago

Tribune Tower competition, by Lonberg-Holm,
favored a functional composition that was devoid
of historical styles. It featured an abstract,
black-and-white pattern to articulate its frame and a
vertical sign spelling “Tribune” in large block letters,
flanked by two round lamps reminiscent of automobile
headlights. Lonberg-Holm never submitted his entry
for the competition, but it was published in a number
of books by avant-garde architects like Le Corbusier,
Walter Gropius, and J.P.P. Oud.

3b(3)

Radio Broadcasting Station, Detroit
This design, ca. 1925, was included in the landmark

1927 Machine Age exhibition—advertised as “the
first International Exposition of Architecture to be
held in America.” The New Yorker critic Muriel Draper
reviewed the project and wrote: “The delicacy and
exquisite technique of execution shown in the plans may
have much to do with it, but a glass tower with a visibly
spiralling staircase took me straight up in the air while
the simple, solid proportions of the building itself kept
my feet on the earth. Pleasant sensation.”