Custom made beds aren’t for everyone. But if you’re a handy DIY’er or happen to know a good carpenter, they can be a great option for a kids room. Custom made beds allow you to make the most of the space you have, allows for extra storage, are ideal in shared rooms and they can be space saving in small or awkwardly shaped rooms. The benefits are endless and while they require more effort than a shop bought bed, they are totally worth it in the end.
If you’re in a home that you plan to stay in for a long time, a custom made bed is worth considering. And using plywood will not only keep costs down but this natural wood looks beautiful too. You can choose to paint the wood if you prefer a bit of color, like in the room pictured above or you can go natural. Either way, you will end up with a piece of furniture that is perfect for your room and your space.
This is an easy to recreate idea for a shared room or even for one child. The beds take up as little space as possible and there is accessible storage under the bed. Living the minimal look which is both practical and stylish. And the best part is that when your kids outgrow the room or want separate rooms, this bed goes back to being a beautiful storage cabinet.
Bunk beds are always a fun idea. It’s a simple design that doesn’t take much space and we love how light it looks. Bunk beds can sometimes look bulky and heavy but here the use of plywood and having just a mattress on the floor as the second bed, makes this one blend in beautifully.
Bunk beds don’t always have to be for two. A single high bed is great for making the most of floor space like in the room above. Besides the bed, there’s so much more to love about this room. Plywood is used to create a cozy reading nook and divider – the other side is the sibling’s room. One room has been cleverly been divided so each child gets their own space.
Making single plywood beds is yet another idea and it’s especially appealing as they are much easier to make than bunk beds. The design you go for can be anything but here are two beds that are so simple in design, yet so beautiful. One is a plywood box with wheels, making it very practical as a spare bed that can easily be moved around from room to room. And the other is a box with a platform to place a mattress on. If you wanted, you could easily turn the box part into storage for toys or books.
See Seattle from 500 feet through the Space Needle’s rotating glass floor
The 605-foot Space Needle is the most iconic structure in Seattle. Built in 1962, and reportedly purchased by investors for $75,000, the landmark has an observation deck and revolving restaurant at 500 feet, where hundreds of daily visitors hunker down for 360-degree views of Seattle. Now, 56 years later, the Space Needle is unveiling a massive renovation, with many of the new spaces now open to visitors. Guests can also now “float” over Seattle 520 feet up via new Skyrisers by leaning into the tilting glass walls on the open-air deck for an angled vantage point.
Those who have a fear of heights might not want to look down next time you go up to the Space Needle. One of the centerpieces of the landmark’s massive remodel, designed by Olson Kundig, is now complete: a rotating glass floor, allowing visitors to look down at the 500 feet between them and the ground.
Called the Loupe, the Space Needle’s new floor gives a view not just of the people milling about below, but the inner workings of the building, giving the viewer a sense of what makes the Needle tick. Counter-weights and the insides of the elevator are both revealed.
The glass floor goes along with newly-open glass walls, doing away with a more closed-off design and adding glass benches that help give the illusion of floating above the city. All together, more than 176 tons of glass were used in the renovation.
As before, the rotating floor will be part of a restaurant—the exact concept is slated to be announced later this year—but for now, visitors can have a drink or a snack on that level at Atmos Wine Bar. Atmos Café is located on the second floor. Want a glass of water or wine with your meal? It’ll pair well with the glass tables, chairs, windows and rotating floor in the reimagined space. Dropping a fork in this place is going to be a newsworthy event!
Science Museum’s Math Gallery soars with a stunning Zaha Hadid design.
New gallery tells stories of how math underpins the world. The design for the Gallery responds to the ambition of David Rooney and his team to present mathematics not as an academic concept, but as a practice that influences technology and enables the environment around us to be transformed. Mathematics and its tools have always played a central role in the evolution of the human understanding of nature and the constructed world: for example, Sir Isaac Newton’s methods to derive the laws of gravitation, Henri Poincaré’s extension of the Cartesian geometries to the planetary system and Lord Kelvin’s use of the mathematical technique of curve-fitting to predict the tides.
Mathematics underlies all science, so for a science museum to be worthy of the name, math needs to be included somewhere. Yet math, which deals mainly in in the abstract, is a challenge for museums, which necessarily contains physical ones. The Science Museum’s approach in its new gallery is to tell historical stories about the influence of mathematics in the real world, rather than focusing directly on the mathematical ideas involved. The result is a stunning gallery, with fascinating objects beautifully laid out, yet which eschews explaining any math. (If you want to learn simple mathematical ideas, you can always head to the museum’s new interactive gallery, Wonderlab).
Hanging from the ceiling is an airplane – the Handley Page ‘Gugnunc’, built in 1929 for a competition to build safe aircraft – and surrounding it is a swirly ceiling sculpture that represents the mathematical equations that describe airflow. In fact, the entire gallery follows the contours of the flow, providing the positions of the cabinets below.
Mathematics has had a profound influence on architectural shapes and forms (known as morphology) and their origins, basing them on sound structural principles. The enhancement of the performative aspects of design with respect to the built environment, its manufacture and ultimately the comfortable navigation by people within these environments, forms an integral part of building on these foundations.
In a section on “form and beauty”, there is a modern replica of a 1920s chair based on French architect’s Le Corbusier’s Modular system of proportions, and two J W Turner sketches from his Royal Academy lectures on perspective.
Hometown hero Renee Erickson continues to expand her popular Capitol Hill doughnut and coffee shop, General Porpoise, recently in Amazon in South Lake Union, and now in Pioneer Square.
General Porpoise, known for its luscious sugar-coated doughnuts oozing with fillings like lemon curd, strawberry rhubarb jam, and vanilla custard, recently opened at 401 1st Ave. S in the Merrill Building, at the corner of 1st Ave. S and S Jackson St. With 30 seats, the shop will serve the pastries fans have come to know and love. The new shop’s next-door neighbor is Flora and Henri, the home of bespoke products for children, women, and home, whose bright, airy, whimsical aesthetic perfectly suits Erickson’s Sea Creatures group and the duo’s design firm, Price Erickson. The cafe is gorgeous with soaring, large-timber ceilings, white brick walls against bright magenta accents, a meeting room, and a marching troop of papered-elephant lanterns by local artist Jeffry Mitchell, as well as massive windows to let in light and show off the interior. When in Seattle, pay a visit.
Mr Peter Lindbergh (1944) is the epitome of a rebellious spirit. He single-handedly changed the face of fashion photography, pushing boundaries and setting new standards along the way. The world-renowned German pioneer received his education in the early 1960’s at the Berlin Academy of Fine Arts, where he nurtured his admiration for Vincent van Gogh. Relocating to the French village of Arles for a year, he literally walked in the Dutch painters’ footsteps. A move that reveals not just mild affection but true passion.
After moving to Düsseldorf in 1971, Mr Lindbergh switched his focus from painting to photography. He quickly made a name for himself, joining news magazine Stern along with fellow photography rebels Helmut Newton, Guy Bourdin and Hans Feurer. It was around this time Mr Lindbergh developed an unusual sense of individuality, revolutionizing fashion photography with his timeless, cinematic images.
In the glamorous universe of VOGUE, Vanity Fair and W, he became known for his humanist approach and the idealization of women. It is the responsibility of photographers, he said, “to free women, and finally everyone, from the terror of youth and perfection.” I assume that includes pink birds with bowler hats…
Mr Lindbergh launched the careers of supermodels like Naomi Campbell, Linda Evangelista and Cindy Crawford, all beaming with youthful joy on his famous January 1990 VOGUE UK cover. To this very day, he continues to be a force of nature redefining the standards of beauty in the fashion world and beyond. A rebellious spirit with an unusual character, indeed.